--- DICTIONARIES (in Dictionaries, in Quotes, in Chapters)

--- QUOTES [15 / 15 - 22 / 22] (in Dictionaries, in Quotes, in Chapters)

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   13 Joseph Campbell
   1 Joseph Cambpell
   1 Jason Bowman

NEW FULL DB (2.4M)

   14 Joseph Campbell
   2 Timothy Ferriss

   2 Joseph Campbell

1:Instead of clearing his own heart the zealot tries to clear the world. ~ Joseph Campbell, The Hero with a Thousand Faces ,

2:It is only when a man tames his own demons that he becomes the king of himself if not of the world. ~ Joseph Campbell, The Hero with a Thousand Faces ,

3:The remainder of the long story of Kamar al-Zaman is a history of the slow yet wonderful operation of a destiny that has been summoned into life. Not everyone has a destiny: only the hero who has plunged to touch it, and has come up again-with a ring. ~ Joseph Campbell, The Hero with a Thousand Faces 3.04 - The Crossing of the Return Threshold,

4:The research for physical immortality proceeds from a misunderstanding of the traditional teaching. On the contrary, the basic problem is: to enlarge the pupil of the eye, so that the body with its attendant personality will no longer obstruct the view. Immortality is then experienced as a present fact: "It is here! It is here!" [165] [165] A Tantric aphorism. ~ Joseph Campbell, The Hero with a Thousand Faces The Ultimate Boon,

5:The Japanese have a proverb: "The gods only laugh when men pray to them for wealth." The boon bestowed on the worshiper is always scaled to his stature and to the nature of his dominant desire: the boon is simply a symbol of life energy stepped down to the requirements of a certain specific case. The irony, of course, lies in the fact that, whereas the hero who has won the favor of the god may beg for the boon of perfect illumination, what he generally seeks are longer years to live, weapons with which to slay his neighbor, or the health of his child. ~ Joseph Campbell, The Hero with a Thousand Faces The Ultimate Boon,

6:The agony of breaking through personal limitations is the agony of spiritual growth. Art, literature, myth and cult, philosophy, and ascetic disciplines are instruments to help the individual past his limiting horizons into spheres of ever-expanding realization. As he crosses threshold after threshold, conquering dragon after dragon, the stature of the divinity that he summons to his highest wish increases, until it subsumes the cosmos. Finally, the mind breaks the bounding sphere of the cosmos to a realization transcending all experiences of form-all symbolizations, all divinities: a realization of the ineluctable void. ~ Joseph Campbell, The Hero with a Thousand Faces The Ultimate Boon,

7:The realm of the gods is a forgotten dimension of the world we know. And the exploration of that dimension, either willingly or unwillingly, is the whole sense of the deed of the hero. The values and distinctions that in normal life seem important disappear with the terrifying assimilation of the self into what formerly was only otherness. As in the stories of the cannibal ogresses, the fearfulness of this loss of personal individuation can be the whole burden of the transcendental experience for unqualified souls. But the hero-soul goes boldly in-and discovers the hags converted into goddesses and the dragons into the watchdogs of the gods. ~ Joseph Campbell, The Hero with a Thousand Faces 3.04 - The Crossing of the Return Threshold,

8:So it is that when Dante had taken the last step in his spiritual adventure, and came before the ultimate symbolic vision of the Triune God in the Celestial Rose, he had still one more illumination to experience, even beyond the forms of the Father, Son, and Holy Ghost. "Bernard," he writes, "made a sign to me, and smiled, that I should look upward; but I was already, of myself, such as he wished; for my sight, becoming pure, was entering more and more, through the radiance of the lofty Light which in Itself is true. Thenceforward my vision was greater than our speech, which yields to such a sight, and the memory yields to such excess. [167] [167] "Paradiso," XXXIII, 49-57 (translation by Norton, op. cit., Vol. Ill, pp. 253-254, by permission of Houghton Mifflin Company, publishers). ~ Joseph Cambpell, The Hero with a Thousand Faces The Ultimate Boon,

9:2. Refusal of the Call:Often in actual life, and not infrequently in the myths and popular tales, we encounter the dull case of the call unanswered; for it is always possible to turn the ear to other interests. Refusal of the summons converts the adventure into its negative. Walled in boredom, hard work, or 'culture,' the subject loses the power of significant affirmative action and becomes a victim to be saved. His flowering world becomes a wasteland of dry stones and his life feels meaningless-even though, like King Minos, he may through titanic effort succeed in building an empire or renown. Whatever house he builds, it will be a house of death: a labyrinth of cyclopean walls to hide from him his minotaur. All he can do is create new problems for himself and await the gradual approach of his disintegration. ~ Joseph Campbell, The Hero with a Thousand Faces ,

10:The thunderbolt (vajra) is one of the major symbols in Buddhist iconography, signifying the spiritual power of Buddhahood (indestructible enlightenment) which shatters the illusory realities of the world. The Absolute, or Adi Buddha, is represented in the images of Tibet as Vajra-Dhara (Tibetan: Dorje-Chang) "Holder of the Adamantine Bolt....We know also that among primitive peoples warriors may speak of their weapons as thunderbolts. Sicut in coelo et in terra: the initiated warrior is an agent of the divine will; his training is not only in manual but also in spiritual skills. Magic (the supernatural power of the thunderbolt), as well as physical force and chemical poison, gives the lethal energy to his blows. A consummate master would require no physical weapon at all; the power of his magic word would suffice. ~ Joseph Campbell, The Hero with a Thousand Faces ,

11:"Because I have called, and ye refused . . . I also will laugh at your calamity; I will mock when your fear cometh; when your fear cometh as desolation, and your destruction cometh as a whirlwind; when distress and anguish cometh upon you." "For the turning away of the simple shall slay them, and the prosperity of fools shall destroy them."Time Jesum transeuntem et non revertentem: "Dread the passage of Jesus, for he does not return."The myths and folk tales of the whole world make clear that the refusal is essentially a refusal to give up what one takes to be one's own interest. The future is regarded not in terms of an unremitting series of deaths and births, but as though one's present system of ideals, virtues, goals, and advantages were to be fixed and made secure. King Minos retained the divine bull, when the sacrifice would have signified submission to the will of the god of his society; for he preferred what he conceived to be his economic advantage. Thus he failed to advance into the liferole that he had assumed-and we have seen with what calamitous effect. The divinity itself became his terror; for, obviously, if one is oneself one's god, then God himself, the will of God, the power that would destroy one's egocentric system, becomes a monster. ~ Joseph Campbell, The Hero with a Thousand Faces ,

12:Part 1 - Departure1. The Call to Adventure ::: This first stage of the mythological journey-which we have designated the "call to adventure"-signifies that destiny has summoned the hero and transferred his spiritual center of grav­ ity from within the pale of his society to a zone unknown. This fateful region of both treasure and danger may be variously represented: as a distant land, a forest, a kingdom underground, beneath the waves, or above the sky, a secret island, lofty mountaintop, or profound dream state; but it is always a place of strangely fluid and polymorphous beings, unimaginable torments, superhuman deeds, and impossible delight. The hero can go forth of his own volition to accomplish the adventure, as did Theseus when he arrived in his father's city, Athens, and heard the horrible history of the Minotaur; or he may be carried or sent abroad by some benign or malignant agent, as was Odysseus, driven about the Mediterranean by the winds of the angered god, Poseidon. The adventure may begin as a mere blunder, as did that of the princess of the fairy tale; or still again, one may be only casually strolling, when some passing phenomenon catches the wandering eye and lures one away from the frequented paths of man. Examples might be multiplied, ad infinitum, from every corner of the world. ~ Joseph Campbell, The Hero with a Thousand Faces ,

13:Recommended ReadingDavid Foster Wallace - Infinite JestDH Lawrence - The RainbowGabriel Garcia Marquez - Love in the Time of CholeraKarl Ove Knausgaard - My StruggleVirginia Woolf - To The LighthouseBen Lerner - The Topeka SchoolSally Rooney - Conversations With FriendsNell Zink - The WallcreeperElena Ferrante - The Days of AbandonmentJack Kerouac - Dharma BumsWalt Whitman - Leaves of GrassMichael Murphy - Golf in the KingdomBarbara Kingsolver - Prodigal SummerAlbertine Sarrazin - AstragalRebecca Solnit - The Faraway NearbyMichael Paterniti - Love and Other Ways of DyingRainer Maria Rilke - Book of HoursJames Baldwin - Another CountryRoberto Calasso - KaTranslation by S. Radhakrishan - Principle UpanisadsChogyam Trungpa - Cutting Through Spiritual MaterialismTranslation by Georg Feuerstein - Yoga SutraRichard Freeman - The Mirror of YogaTranslation by S. Radhakrishan - The Bhagavad GitaShrunyu Suzuki - Zen Mind Beginner's MindHeinrich Zimmer - Myths and Symbols in Indian Art and CivilizationSogyal Rinpoche - The Tibetan Book of Living and DyingJoseph Campbell - Myths of LightJoseph Campbell - The Hero With A Thousand FacesSri Aurobindo - SavitriThomas Meyers - Anatomy TrainsWendy Doniger - The Hindus ~ Jason Bowman, http://www.jasonbowmanyoga.com/recommended-reading ,

14:The mythological hero, setting forth from his common-day hut or castle, is lured, carried away, or else voluntarily proceeds, to the threshold of adventure. There he encounters a shadow presence that guards the passage. The hero may defeat or conciliate this power and go alive into the kingdom of the dark (brother-battle, dragon-battle; offering, charm), or be slain by the opponent and descend in death (dismemberment, crucifixion). Beyond the threshold, then, the hero journeys through a world of unfamiliar yet strangely intimate forces, some of which severely threaten him (tests), some of which give magical aid (helpers). When he arrives at the nadir of the mythological round, he undergoes a supreme ordeal and gains his reward. The triumph may be represented as the hero's sexual union with the goddess-mother of the world (sacred marriage), his recognition by the father-creator (father atonement), his own divinization (apotheosis), or again-if the powers have remained unfriendly to him-his theft of the boon he came to gain (bride-theft, fire-theft); intrinsically it is an expansion of consciousness and therewith of being (illumination, transfiguration, freedom). The final work is that of the return. If the powers have blessed the hero, he now sets forth under their protection (emissary); if not, he flees and is pursued (transformation flight, obstacle flight). At the return threshold the transcendental powers must remain behind; the hero re-emerges from the kingdom of dread (return, resurrection). The boon that he brings restores the world (elixir). ~ Joseph Campbell, The Hero with a Thousand Faces The Keys,

15:Apotheosis ::: One of the most powerful and beloved of the Bodhisattvas of the Mahayana Buddhism of Tibet, China, and Japan is the Lotus Bearer, Avalokiteshvara, "The Lord Looking Down in Pity," so called because he regards with compassion all sentient creatures suffering the evils of existence. To him goes the millionfold repeated prayer of the prayer wheels and temple gongs of Tibet: Om mani padme hum, "The jewel is in the lotus." To him go perhaps more prayers per minute than to any single divinity known to man; for when, during his final life on earth as a human being, he shattered for himself the bounds of the last threshold (which moment opened to him the timelessness of the void beyond the frustrating mirage-enigmas of the named and bounded cosmos), he paused: he made a vow that before entering the void he would bring all creatures without exception to enlightenment; and since then he has permeated the whole texture of existence with the divine grace of his assisting presence, so that the least prayer addressed to him, throughout the vast spiritual empire of the Buddha, is graciously heard. Under differing forms he traverses the ten thousand worlds, and appears in the hour of need and prayer. He reveals himself in human form with two arms, in superhuman forms with four arms, or with six, or twelve, or a thousand, and he holds in one of his left hands the lotus of the world.Like the Buddha himself, this godlike being is a pattern of the divine state to which the human hero attains who has gone beyond the last terrors of ignorance. "When the envelopment of consciousness has been annihilated, then he becomes free of all fear, beyond the reach of change." This is the release potential within us all, and which anyone can attain-through herohood; for, as we read: "All things are Buddha-things"; or again (and this is the other way of making the same statement) : "All beings are without self."The world is filled and illumined by, but does not hold, the Bodhisattva ("he whose being is enlightenment"); rather, it is he who holds the world, the lotus. Pain and pleasure do not enclose him, he encloses them-and with profound repose. And since he is what all of us may be, his presence, his image, the mere naming of him, helps. "He wears a garland of eight thousand rays, in which is seen fully reflected a state of perfect beauty.The color of his body is purple gold. His palms have the mixed color of five hundred lotuses, while each finger tip has eighty-four thousand signet-marks, and each mark eighty-four thousand colors; each color has eighty-four thousand rays which are soft and mild and shine over all things that exist. With these jewel hands he draws and embraces all beings. The halo surrounding his head is studded with five hundred Buddhas, miraculously transformed, each attended by five hundred Bodhisattvas, who are attended, in turn, by numberless gods. And when he puts his feet down to the ground, the flowers of diamonds and jewels that are scattered cover everything in all directions. The color of his face is gold. While in his towering crown of gems stands a Buddha, two hundred and fifty miles high." - Amitayur-Dhyana Sutra, 19; ibid., pp. 182-183. ~ Joseph Campbell, The Hero with a Thousand Faces Liber 132 - Apotheosis,

*** NEWFULLDB 2.4M ***

1:I must admit to being greatly influenced by Joseph Campbell's The Hero With a Thousand Faces. ~ Norman Spinrad

2:Instead of clearing his own heart the zealot tries to clear the world. ~ Joseph Campbell, The Hero with a Thousand Faces,

3:It is only when a man tames his own demons that he becomes the king of himself if not of the world. ~ Joseph Campbell, The Hero with a Thousand Faces,

4:The Hero with a Thousand Faces by Joseph Campbell, The Lessons of History by Will and Ariel Durant, and River Out of Eden by Richard Dawkins. ~ Timothy Ferriss

5:Label celebrity a consumer society's most precious consumer product, and eventually it becomes the hero with a thousand faces, the packaging of the society's art and politics, the framework of its commerce, and the stuff of its religion. ~ Lewis H Lapham

6:The remainder of the long story of Kamar al-Zaman is a history of the slow yet wonderful operation of a destiny that has been summoned into life. Not everyone has a destiny: only the hero who has plunged to touch it, and has come up again-with a ring. ~ Joseph Campbell, The Hero with a Thousand Faces, The Crossing of the Return Threshold,

7:The encounter with Campbell was, for me and many other people, a life-changing experience. A few days of exploring the labyrinth of his book The Hero with a Thousand Faces produced an electrifying reorganization of my life and thinking. Here, fully explored, was the pattern I had been sensing. Campbell had broken the secret code of story. His work was like a flare suddenly illuminating a deeply shadowed landscape ~ Christopher Vogler

8:The research for physical immortality proceeds from a misunderstanding of the traditional teaching. On the contrary, the basic problem is: to enlarge the pupil of the eye, so that the body with its attendant personality will no longer obstruct the view. Immortality is then experienced as a present fact: "It is here! It is here!" [165] [165] A Tantric aphorism. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,

9:The Japanese have a proverb: "The gods only laugh when men pray to them for wealth." The boon bestowed on the worshiper is always scaled to his stature and to the nature of his dominant desire: the boon is simply a symbol of life energy stepped down to the requirements of a certain specific case. The irony, of course, lies in the fact that, whereas the hero who has won the favor of the god may beg for the boon of perfect illumination, what he generally seeks are longer years to live, weapons with which to slay his neighbor, or the health of his child. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,

10:The agony of breaking through personal limitations is the agony of spiritual growth. Art, literature, myth and cult, philosophy, and ascetic disciplines are instruments to help the individual past his limiting horizons into spheres of ever-expanding realization. As he crosses threshold after threshold, conquering dragon after dragon, the stature of the divinity that he summons to his highest wish increases, until it subsumes the cosmos. Finally, the mind breaks the bounding sphere of the cosmos to a realization transcending all experiences of form-all symbolizations, all divinities: a realization of the ineluctable void. ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,

11:The realm of the gods is a forgotten dimension of the world we know. And the exploration of that dimension, either willingly or unwillingly, is the whole sense of the deed of the hero. The values and distinctions that in normal life seem important disappear with the terrifying assimilation of the self into what formerly was only otherness. As in the stories of the cannibal ogresses, the fearfulness of this loss of personal individuation can be the whole burden of the transcendental experience for unqualified souls. But the hero-soul goes boldly in-and discovers the hags converted into goddesses and the dragons into the watchdogs of the gods. ~ Joseph Campbell, The Hero with a Thousand Faces, The Crossing of the Return Threshold,

12:To call up modern versions of the old stories, one has to go forth and live life. As a result then, one will have the challenge of not only living the story, taking it all in, but also interpreting it in whatever ways are useful. So too, one will reap the reward of telling all about it afterward. One's interest in the world, and in having experiences, is really an interest in hearing, having, living one more story, and then one more, then one more story, till one cannot live them out loud any longer. Perhaps it should be said that the drive to live out stories is as deep in the psyche, when awakened, as it is compelling to the psyche to listen to stories and learn from them. Clarissa Pinkola Estes, Ph.D. in Introduction to the 2004 edition of The hero with a thousand faces (J.Campbell) ~ Joseph Campbell

13:So it is that when Dante had taken the last step in his spiritual adventure, and came before the ultimate symbolic vision of the Triune God in the Celestial Rose, he had still one more illumination to experience, even beyond the forms of the Father, Son, and Holy Ghost. "Bernard," he writes, "made a sign to me, and smiled, that I should look upward; but I was already, of myself, such as he wished; for my sight, becoming pure, was entering more and more, through the radiance of the lofty Light which in Itself is true. Thenceforward my vision was greater than our speech, which yields to such a sight, and the memory yields to such excess. [167] [167] "Paradiso," XXXIII, 49-57 (translation by Norton, op. cit., Vol. Ill, pp. 253-254, by permission of Houghton Mifflin Company, publishers). ~ Joseph Campbell, The Hero with a Thousand Faces, The Ultimate Boon,

14:2. Refusal of the Call:Often in actual life, and not infrequently in the myths and popular tales, we encounter the dull case of the call unanswered; for it is always possible to turn the ear to other interests. Refusal of the summons converts the adventure into its negative. Walled in boredom, hard work, or 'culture,' the subject loses the power of significant affirmative action and becomes a victim to be saved. His flowering world becomes a wasteland of dry stones and his life feels meaningless-even though, like King Minos, he may through titanic effort succeed in building an empire or renown. Whatever house he builds, it will be a house of death: a labyrinth of cyclopean walls to hide from him his minotaur. All he can do is create new problems for himself and await the gradual approach of his disintegration. ~ Joseph Campbell, The Hero with a Thousand Faces,

15:The thunderbolt (vajra) is one of the major symbols in Buddhist iconography, signifying the spiritual power of Buddhahood (indestructible enlightenment) which shatters the illusory realities of the world. The Absolute, or Adi Buddha, is represented in the images of Tibet as Vajra-Dhara (Tibetan: Dorje-Chang) "Holder of the Adamantine Bolt. ... We know also that among primitive peoples warriors may speak of their weapons as thunderbolts. Sicut in coelo et in terra: the initiated warrior is an agent of the divine will; his training is not only in manual but also in spiritual skills. Magic (the supernatural power of the thunderbolt), as well as physical force and chemical poison, gives the lethal energy to his blows. A consummate master would require no physical weapon at all; the power of his magic word would suffice. ~ Joseph Campbell, The Hero with a Thousand Faces,

16:All of the great mythologies and much of the mythic story-telling of the world are from the male point of view. When I was writing The Hero with a Thousand Faces and wanted to bring female heroes in, I had to go to the fairy tales. These were told by women to children, you know, and you get a different perspective. It was the men who got involved in spinning most of the great myths. The women were too busy; they had too damn much to do to sit around thinking about stories. [...] In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. Out in Nantucket, you see all those cottages with the widow's walk up on the roof: when my husband comes back from the sea. Two journeys through space and one through time. ~ Joseph Campbell

17:"Because I have called, and ye refused . . . I also will laugh at your calamity; I will mock when your fear cometh; when your fear cometh as desolation, and your destruction cometh as a whirlwind; when distress and anguish cometh upon you." "For the turning away of the simple shall slay them, and the prosperity of fools shall destroy them." Time Jesum transeuntem et non revertentem: "Dread the passage of Jesus, for he does not return." The myths and folk tales of the whole world make clear that the refusal is essentially a refusal to give up what one takes to be one's own interest. The future is regarded not in terms of an unremitting series of deaths and births, but as though one's present system of ideals, virtues, goals, and advantages were to be fixed and made secure. King Minos retained the divine bull, when the sacrifice would have signified submission to the will of the god of his society; for he preferred what he conceived to be his economic advantage. Thus he failed to advance into the liferole that he had assumed-and we have seen with what calamitous effect. The divinity itself became his terror; for, obviously, if one is oneself one's god, then God himself, the will of God, the power that would destroy one's egocentric system, becomes a monster. ~ Joseph Campbell, The Hero with a Thousand Faces,

18:Part 1 - Departure 1. The Call to Adventure ::: This first stage of the mythological journey-which we have designated the "call to adventure"-signifies that destiny has summoned the hero and transferred his spiritual center of grav­ ity from within the pale of his society to a zone unknown. This fateful region of both treasure and danger may be variously represented: as a distant land, a forest, a kingdom underground, beneath the waves, or above the sky, a secret island, lofty mountaintop, or profound dream state; but it is always a place of strangely fluid and polymorphous beings, unimaginable torments, superhuman deeds, and impossible delight. The hero can go forth of his own volition to accomplish the adventure, as did Theseus when he arrived in his father's city, Athens, and heard the horrible history of the Minotaur; or he may be carried or sent abroad by some benign or malignant agent, as was Odysseus, driven about the Mediterranean by the winds of the angered god, Poseidon. The adventure may begin as a mere blunder, as did that of the princess of the fairy tale; or still again, one may be only casually strolling, when some passing phenomenon catches the wandering eye and lures one away from the frequented paths of man. Examples might be multiplied, ad infinitum, from every corner of the world. ~ Joseph Campbell, The Hero with a Thousand Faces,

19:Recommended Reading David Foster Wallace - Infinite Jest DH Lawrence - The Rainbow Gabriel Garcia Marquez - Love in the Time of Cholera Karl Ove Knausgaard - My Struggle Virginia Woolf - To The Lighthouse Ben Lerner - The Topeka School Sally Rooney - Conversations With Friends Nell Zink - The Wallcreeper Elena Ferrante - The Days of Abandonment Jack Kerouac - Dharma Bums Walt Whitman - Leaves of Grass Michael Murphy - Golf in the Kingdom Barbara Kingsolver - Prodigal Summer Albertine Sarrazin - Astragal Rebecca Solnit - The Faraway Nearby Michael Paterniti - Love and Other Ways of Dying Rainer Maria Rilke - Book of Hours James Baldwin - Another Country Roberto Calasso - Ka Translation by S. Radhakrishan - Principle Upanisads Chogyam Trungpa - Cutting Through Spiritual Materialism Translation by Georg Feuerstein - Yoga Sutra Richard Freeman - The Mirror of Yoga Translation by S. Radhakrishan - The Bhagavad Gita Shrunyu Suzuki - Zen Mind Beginner's Mind Heinrich Zimmer - Myths and Symbols in Indian Art and Civilization Sogyal Rinpoche - The Tibetan Book of Living and Dying Joseph Campbell - Myths of Light Joseph Campbell - The Hero With A Thousand Faces Sri Aurobindo - Savitri Thomas Meyers - Anatomy Trains Wendy Doniger - The Hindus ~ Jason Bowman, http://www.jasonbowmanyoga.com/recommended-reading,

20:But then I got into Joseph Campbell—The Power of Myth and The Hero with a Thousand Faces. Joseph Campbell was the first person to really open my eyes to [the] compassionate side of life, or of thought. . . . Campbell was the guy who really kind of put it all together for me, and not in a way I could put my finger on. . . . It made you just glad to be alive, [realizing] how vast this world is, and how similar and how different we are.” * Most-gifted or recommended books? “You’re going to think I’m plugging you, but I probably have recommended The Art of Learning [by Josh Waitzkin, page 577] and The 4-Hour Body, I’m not kidding, more than any other books.” What Would You Say in a College Commencement Speech? “Well, I would say that if you are searching for status, and if you are doing things because there’s an audience for it, you’re probably barking up the wrong tree. “I would say, ‘Listen to yourself.’ Follow your bliss, and Joseph Campbell, to bring it back around, said, ‘There is great security in insecurity.’ We are wired and programmed to do what’s safe and what’s sensible. I don’t think that’s the way to go. I think you do things because they are just things you have to do, or because it’s a calling, or because you’re idealistic enough to think that you can make a difference in the world. “I think you should try to slay dragons. I don’t care how big the opponent is. We read about and admire the people who did things that were basically considered to be impossible. That’s what makes the world a better place to live. ~ Timothy Ferriss

21:The mythological hero, setting forth from his common-day hut or castle, is lured, carried away, or else voluntarily proceeds, to the threshold of adventure. There he encounters a shadow presence that guards the passage. The hero may defeat or conciliate this power and go alive into the kingdom of the dark (brother-battle, dragon-battle; offering, charm), or be slain by the opponent and descend in death (dismemberment, crucifixion). Beyond the threshold, then, the hero journeys through a world of unfamiliar yet strangely intimate forces, some of which severely threaten him (tests), some of which give magical aid (helpers). When he arrives at the nadir of the mythological round, he undergoes a supreme ordeal and gains his reward. The triumph may be represented as the hero's sexual union with the goddess-mother of the world (sacred marriage), his recognition by the father-creator (father atonement), his own divinization (apotheosis), or again-if the powers have remained unfriendly to him-his theft of the boon he came to gain (bride-theft, fire-theft); intrinsically it is an expansion of consciousness and therewith of being (illumination, transfiguration, freedom). The final work is that of the return. If the powers have blessed the hero, he now sets forth under their protection (emissary); if not, he flees and is pursued (transformation flight, obstacle flight). At the return threshold the transcendental powers must remain behind; the hero re-emerges from the kingdom of dread (return, resurrection). The boon that he brings restores the world (elixir). ~ Joseph Campbell, The Hero with a Thousand Faces, The Keys,

22:Apotheosis ::: One of the most powerful and beloved of the Bodhisattvas of the Mahayana Buddhism of Tibet, China, and Japan is the Lotus Bearer, Avalokiteshvara, "The Lord Looking Down in Pity," so called because he regards with compassion all sentient creatures suffering the evils of existence. To him goes the millionfold repeated prayer of the prayer wheels and temple gongs of Tibet: Om mani padme hum, "The jewel is in the lotus." To him go perhaps more prayers per minute than to any single divinity known to man; for when, during his final life on earth as a human being, he shattered for himself the bounds of the last threshold (which moment opened to him the timelessness of the void beyond the frustrating mirage-enigmas of the named and bounded cosmos), he paused: he made a vow that before entering the void he would bring all creatures without exception to enlightenment; and since then he has permeated the whole texture of existence with the divine grace of his assisting presence, so that the least prayer addressed to him, throughout the vast spiritual empire of the Buddha, is graciously heard. Under differing forms he traverses the ten thousand worlds, and appears in the hour of need and prayer. He reveals himself in human form with two arms, in superhuman forms with four arms, or with six, or twelve, or a thousand, and he holds in one of his left hands the lotus of the world. Like the Buddha himself, this godlike being is a pattern of the divine state to which the human hero attains who has gone beyond the last terrors of ignorance. "When the envelopment of consciousness has been annihilated, then he becomes free of all fear, beyond the reach of change." This is the release potential within us all, and which anyone can attain-through herohood; for, as we read: "All things are Buddha-things"; or again (and this is the other way of making the same statement) : "All beings are without self." The world is filled and illumined by, but does not hold, the Bodhisattva ("he whose being is enlightenment"); rather, it is he who holds the world, the lotus. Pain and pleasure do not enclose him, he encloses them-and with profound repose. And since he is what all of us may be, his presence, his image, the mere naming of him, helps. "He wears a garland of eight thousand rays, in which is seen fully reflected a state of perfect beauty. The color of his body is purple gold. His palms have the mixed color of five hundred lotuses, while each finger tip has eighty-four thousand signet-marks, and each mark eighty-four thousand colors; each color has eighty-four thousand rays which are soft and mild and shine over all things that exist. With these jewel hands he draws and embraces all beings. The halo surrounding his head is studded with five hundred Buddhas, miraculously transformed, each attended by five hundred Bodhisattvas, who are attended, in turn, by numberless gods. And when he puts his feet down to the ground, the flowers of diamonds and jewels that are scattered cover everything in all directions. The color of his face is gold. While in his towering crown of gems stands a Buddha, two hundred and fifty miles high." - Amitayur-Dhyana Sutra, 19; ibid., pp. 182-183. ~ Joseph Campbell, The Hero with a Thousand Faces, Apotheosis,